Greens, greens, nothing but greens
Parsley, peppers, cabbages and celery,
Asparagus and watercress and
Fiddleferns and lettuce-!
He said, "All right,"
But it wasn't, quite,'
Cause I caught him in the autumn
In my garden one night!
He was robbing me,
Raping me,
Rooting through my rutabaga,
Raiding my arugula and
Ripping up the rampion
My champion! My favorite!-
I should have laid a spell on him
Right there, I could have turned him into stone
Or a dog...
Or a chair...
But I let him have the rampion-
I'd lots to spare.
In return, however,
I said, "Fair is fair:
You can let me have the baby
That your wife will bear.
And we'll call it square."
The recent Disney musical film, Into the Woods, gave audiences, including me, great entertainment with the songs written by the famous Broadway composer and lyricist, Stephen Sondheim. This film was adapted by Sondheim’s original musical in 1987, which featured songs such as “Giants in the Sky”, “Agony” and “Last Midnight”. Many of these songs had one thing in common: They used rhetorical figures and tropes. However, I would like to focus on the very first musical number, which is the “Prologue: Into the Woods”.
“Prologue” is about 13 minutes
long, but the part which I believe is very eloquent and used many rhetorical
figures and tropes is at 7:23 to 8:07, where fans affectionately called it the
Witch’s Rap, done by Meryl Streep. One of the rhetorical figures and tropes was
alliteration. This was evident at the part “Parsleys, peppers, cabbages and celery”,
where the first part had a focus on the letter “P” and the second on the letter
“C”. In my opinion, I believe alliteration was used in here to let audiences
understand the varieties of vegetables being grown by the Witch and these
vegetables were stolen by the Baker’s father. However, this was not the only
part where alliteration was used. In fact, alliteration was used throughout the
rap.
Besides, rhyme was also used in the
Witch’s Rap. For example, “He said ‘All right!’,
but it wasn’t, quite, ‘cause I
caught him in the autumn, in the garden one night!”, used rhyme, where “right”, “quite” and “night” were rhymes
at the end of the sentence. In this example, rhyme was used to stress out the
point that the Witch has seen the Baker’s father sneaking into the garden that
night. Furthermore, assonance was another rhetorical figure used in the Witch’s
Rap. As an example, “Rooting through my rutabaga, raiding through
my arugula” had assonance with an
emphasis on the vowel “u”. This proved to be effective, in my opinion, because
assonance gave audiences a chance to understand the actions done by the Baker’s
father in more detail, but also it made audiences understood the process of
stealing the vegetables with catchy lyrics. Parallelism was also used in this
part of the “Prologue”. An example would be “I could have turned him into
stone, or a dog, or a chair” had
parallelism in terms of using nouns. In this case, parallelism was used to show
the capabilities of the Witch’s powers, where she probably could have turned
the Baker’s father into anything, ranging from a non-moving object to a living
animal.
But, the most eloquent part of all,
in my opinion, was the part where Sondheim intended the use of “Robbing me,
raping me” in his lyrics. I was immediately shocked when I heard the lyrics,
but then after some research, I finally understood what the Witch was singing
about. In this case, “raping” did not mean the act of committing a rape, but
actually meant the act of stealing, or seizing. This meant that the Baker’s
father was not raping the Witch, but only meant that he was seizing the
vegetables from her garden.
Stephen Sondheim’s Into the Woods
was not only an excellent musical film, but it also was a clear example where
rhetorical figures and tropes were explicitly and effectively used. I would
suggest everyone to watch this film, because it is entertaining with the
multiple musical numbers, and it is a good example of the modern rhetoric in
terms of word choices in songs.
Prologue: Into The Woods Lyrics
The other meaning of Rape
RMCL List of Rhetorical Figures and Tropes
The other meaning of Rape
RMCL List of Rhetorical Figures and Tropes
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